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Hearing these five songs with five excavated tracks alongside the original album confirms this was a purple patch for Petty, one where he was writing strong material executed with vigor by most of the Heartbreakers under the eye of Rick Rubin.

Eric Clapton; Andy Fairweather Low Wonderful Tonight 04:20 03.

Doyle Bramhall II; Tedeschi Trucks Band I Wanna Be Your Dog 04:11 08.

Doyle Bramhall II; Tedeschi Trucks Band Thats How Strong My Love Is 05:16 09.

Doyle Bramhall II; Tedeschi Trucks Band Going Going Gone 05:38 10.

Peter Frampton; Eric Clapton While My Guitar Gently Weeps 07:36 21.

Vince Gill; Albert Lee; Jerry Douglas Tonight The Bottle Let Me Down 03:16 38.

Vince Gill; Albert Lee; Bradley Walker; Jerry Douglas Tulsa Time 04:07 39.

Bradley Walker; Albert Lee; Jerry Douglas; Vince Gill Drifting Too Far From The Shore 04:18 40.

Hendrixs manager had invested in an ill-fated film about hippie culture and expanded consciousness, and the production was going off the rails.

In a brave display of full hippie-era spaciness, the producers divided the audience for the concert by their astrological signs.) Playing for a few hundred flower children (when he was accustomed to appearing before several thousand) near a volcano while high winds interfered with the equipment and the flimsy stage was not exactly what Hendrix and his band were used to.

However, they were seasoned pros, and Live in Maui presents in full the two sets they played before the cameras on July 30, 1970.

These recordings document Hendrix and his accompanists bassist Billy Cox and drummer Mitch Mitchell as a well-oiled machine that delivered this material with a confidence and strength that also gave them room to stretch out without losing the plot.

Hendrix delivers the guitar pyrotechnics that were his trademark, demonstrating his skills with a clear focus while using the swoops and cries of his Stratocaster to explore the outer limits of his songs.

The Maui recordings dont find him exploring much in the way of anything new, but hes in excellent form, playfully relaxed and fully engaged at the same time, and Mitch Mitchells drumming is, as always, an excellent foil for Jimis melodies and instrumental attack, while Billy Coxs subtle but solid bass anchors this music better than his predecessor, Noel Redding.

In some way, Jimis participation in The Rainbow Bridge Vibratory Color-Sound Experiment (as filmmaker Chuck Wein describes the event while he welcomes the band to the stage) was a goof, but he along with Mitchell and Cox saw to it that the folks on hand (and the camera crew) saw something worthwhile.

Despite high winds, a rickety stage, and a small crowd, they delivered, and fans will revel in this document of late-period Hendrix in full flight.

Allmusic.

Ezy Ryder 05:08 15.

Red House 06:39 16.

Freedom 04:20 17.

Jam Back At The House 08:22 18.

Chuck Wein 05. Maui 06.

The Vibrations 07.

The Coconut Wireless 08.

Fire 03:31 08. Purple Haze 04:18 Concert Footage Second Show 09.

I Dreamed I Saw St.

Ill Be Alright 04:23 11.

Petty originally delivered Wildflowers as a double-CD set to Warner Bros., but the label convinced him that itd be easier to market a single disc, albeit one that ran the length of a double LP.

Despite his acquiescence, the original uncut Wildflowers nagged at Petty, so he started to assemble a deluxe edition in the 2010s.

It sadly didnt come to fruition until after his death, but Wildflowers All the Rest does explain why the project stayed on his mind: there really was a wealth of good material left in the vault.

A handful of these songs snuck out on the 1996 soundtrack to Edward Burns romantic comedy Shes the One (California, Hope You Never, Hung Up and Overdue, Climb That Hill, which is also present here as a solo acoustic blues), while Petty gave Leave Virginia Alone to Rod Stewart, so about half of the material is known to hardcore fans yet context means a lot here.

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